Love Made Visible...

"Love made visible..." is how Kahlil Gibran explained it. Textile finishes like dyeing and printing take time and care if you want them to be both beautiful AND robust to washing year after year.

This week we did a photo shoot to create some interesting images for our website and social networks. I was clothed head to foot in "love made visible...

The corset was manufactured by Ronel Stronkhorst. One of my students who has attended several of my workshops in an effort to master dye recipe mixing so that she can dye matching elastic, lycra, lace and trims to exactly the same colours for her bespoke underwear. Her business is Women With Curves. She dyed the cotton corset using Slipstream Dye.

The skirt was made by Karenza Pastorino. She attended my Dip Dyeing workshop to learn how to add the finish to her tribal skirts. I have bought several of them from her.

If you would like to learn how to do Dip Dyeing for yourself, click through to the link below and sign up for the online course...

Peeling The Copyright Onion

Over more than two decades of working in the Creative industries, I have looked at the issue of copyright from many angles. My work has been copied in many ways.

In the early days I suffered hot self-righteous rage when my designs were copied. I remember one morning when I was 27 walking down an aisle at the flea market to find my designs replicated almost exactly by a competitor, two aisles away from where I had been set up, selling that product for a couple of years already. They had copied my work and undercut my price by R10.

Later I felt safe when I tied up my intellectual property in a glossy printed book with Metz Press, only to find it available for free download online on a bootleg site. More than once.

And once I started INVITING people to copy my designs with my tutorials in my books and eBooks, I opened a whole other can of worms.

And while I invite others to copy my designs these days, copying somebody else's work is still a line I am loathe to cross. ESPECIALLY when I have my own ORIGINAL ideas tumbling out of me all the time. My personal challenge is keeping up with making all of the things that boil from inside me. Outside input not necessary. Too much data confusing. I can only make one thing at a time.

It is important to me as an Artist and human with some empathy for others, that the things that I make are my own. Or as much my own as I can make them in a world where everything has already been done before, and where any creative work can only hope to be an ITERATION of something else that has passed before, possibly even HUNDREDS of years before you thought of it.

Please do not send me designs and ask me to copy them for you. I get frequent requests for this kind of thing, and I must be clear...

It is just not what I do.

While the world is full of people stomping on other people's feelings when they copy their original designs, I can only lead by example myself and insist on working from my own authentic source.

And if you want to understand in more detail why I take this stand in this way, please buy and read my Copyright eBook for R200.

When You Buy From A Small Business...

Many of our customers make and sell handmade textile items. They make extra money that goes towards school fees, food and other gaps that salaries do not cover. Many of you contact us and ask us to make your tie dyed items for you. Please support our customers who buy from us. They will do a happy dance if you buy from them.

Of course we will do the same happy dance if you buy our tie dye kits from us to have some of your own fun doing your own happy dance...

Whether you choose the self-service option or the ready made option, there is sure to be dancing!

Answering Your Specific Questions

Many of you contact me on messenger and whatsapp with your detailed and specific questions that you would like me to answer for you.

Currently there are so many of these requests that I simply cannot answer all of them AND run a financially sustainable business.

I also know how frightening it can be when you are working with new products and techniques that you barely understand, so I have created a wide range of training tools to answer your specific questions.

I have published two full colour glossy books with Metz Press with 100 full colour photographic tutorials between the two books. Contemporary Dyecraft and 50 Silk Scarves embody my workshop content in a slick visual package and you can order them online from Amazon.

I have made two DVD's. The Dyecraft DVD explains in detail how the dye works, what fabrics are best to work on, different ways of heating the dye and the reasons why you should heat it, different binding techniques for different tie dye patterns and a whole lot more. The kids DVD is a concise methodology for doing tie dye with a group of kids.

Every time you guys ask me a question that is not answered by one of the above resources, I try to answer it with a concise eBook with detailed answers. For R200 I solve your challenge. There are currently more than twenty eBooks in the collection that answer a number of questions about dyeing and printing fabric, working with kids, and starting and running a small business.

For those of you who are looking for a workshop experience, I have designed online courses that you can work through in your own home, in your own time. Click through to the link below to view the selection that you can choose from...

All of these resources are available on easy payment terms of 2, 3 or 6 months.

You will find most of the answers to your most obvious questions in these resources.

I reserve my PERSONAL time to answer BIG QUESTIONS from Entrepreneurs who are serious about growing their businesses. Many of you have asked me to Mentor or Coach you, and you can make an appointment for a session with me at the link below...


The Value Proposition

What Value do YOU get from my training tools?

They save you Time
They save you Money
They empower YOU to make more money for the rest of of your life.

Many of the answers that I supply in my eBooks are available for free and gratis from the university of Google. And too much information can be confusing. Many of my students do the reading on Google and still come back to me with a string of questions.

My training tools take you directly to the best answers that I could formulate for you, based on more than two decades of making experience.

The information in the eBooks saves you money because it takes you to direct answers. In the early 1990's I manufactured tie dyed clothing for flea markets. There was no Google to consult back then and I learned from massive experimentation. Many of my experiments did not work and I had a bargain bin where I sold off these flops at cost to recoup my financial losses.

Garments are expensive to work on and I shorten your costly learning curve considerably with the extra information that you get from my training tools.

If you implement the things that you learn from me in your business, you will make more money for the rest of your life.

Marle Coetsee is printing products that she sells using lino techniques that she learned from me almost a decade ago. Every garment that she sells with a lino print on, has a spark of my energy at its roots. She made a once-off payment for a workshop that has added value to her business for years after as she prints small runs of items in-house and on-demand, on a shoestring budget.

Dozens of my students are selling tie dyed products at markets. They attended one workshop for a once-off payment and are now making a living from selling tie dyed items.

Still more school teachers and people who work with kids are able to expand their businesses using my ideas and convenient pre-packed kits.

My Costing & Pricing course is guaranteed to make you more money as soon as you implement what you have learned.

ANY training tool that you purchase from me holds the promise of INFINITE value and is worth EVERY cent that you pay for it.

Sixty Shades Of Brown And Other Skin Tones

A few of me have asked for recipes to make skin tone fabrics for your quilts.

I am currently putting together the eBook for you.

Most recipes for skin tones are made up of two thirds yellow, which I find quite ironic as an analogy for human nature. Most humans are, in fact, two thirds yellow when pushed.

Even pale Caucasian skin tones are brown recipes with lots of water in.

Look out for the new eBook that we will be launching in a few weeks time.

If you are interested in learning more about Mixing Your Own Colour, join our Facebook page where we talk about colour mixing...

Or click through to the link below to sign up for the online course...

How buying from our Stockists works...

How the mail order works...

If you elect to use the mail order option, please make sure that you include your nearest Postnet branch for shipping and your cell number for the waybill. We frequently receive orders without this information and it is very difficult to actually ship the product to you without it.

We currently use Postnet because they are quicker and more reliable than the local post office. If you are in a remote area and there is no Postnet nearby, we can use the post office although you should expect your orders to take longer to reach you.

48 hour Special Offer On Bulk Dye

Order and pay for this special offer before the end of the day on 30 September, and save big!

You can choose any theme from our five colour themes in the 250g Bulk packs. 250g normally sells for R660. Order and pay before the end of September, and you will get all five colours for only R3000, including shipping. We will also throw in a Colour Mixing eBook to help you to understand how to use the dye. This is a massive saving of R750.

Click through to the link below to take advantage of this limited offer...

Mixing Your Own Colours

Many of you are interested in mixing your own colours for making garments and quilts.

Humans have been fascinated with mixing their own colour throughout time and recently a little known Dutch publication about colour mixing has historians excited and chattering on all the blogs. Click through to the links below to read more about this early colour recipe book... http://

For those of you who just want some light reading and a community forum where you can ask your questions, you can join our Facebook community...

Then for those of you who want more in-depth information, you might want to order my eBook on the topic? Click through to the link below to order the eBook... http://

And for those of you who really want to learn about colour mixing in depth, you can always sign up for my online course. Over a period of weeks, we will guide you through the colour mixing process and teach you how to mix and colour sample more than 100 different recipes. by the end of the course, you will have an impressive recipe colour chart that you can use to cross reference colour swatches when there is a specific colour that you are after.

You work in the comfort of your own home, at you own pace. Once you send in photographs of your recipe chart, we send you your Colour Technicians certificate. Click through to the link below to sign up... http://    South Africa http://    International

Why do blue denims run in the first wash?

When I teach workshops I realize how little is understood about basic dyeing processes by the average human. Many people do not realize that it is a very wet process where the garment is submerged in dyes and chemicals. Most people also do not realize that there is a process of washing those chemicals out at the end.

Some of the dye is fixed to the cloth to form a molecular bond with the fiber, and some of the loose chemical is trapped between the fibers of the cloth. The excess must be rinsed away with vigorous rinsing in clean water.

In our modern times, clean water is becoming scarce and factories look at ways of saving money and resources. Many of them trade their last washing process off to their customer and this is where you find fabrics on retail shelves that bleed and run.

A fabric will bleed like this for two reasons...

If the dye was not heat set properly, the colour will run and will continue to run until the fabric is very light. If there is some bleed and then it stops, leaving a vibrant colour, the dye was properly heat set, only the fabric was not properly laundered before it left the factory.

In South Africa we have water restrictions from time to time and I have written an eBook that looks more closely at Mindful Water use...

How much do you charge for your handmade products and WHY?

This morning somebody in my network shared a fantastic video with me about Pricing Your Products by a leading global art expert. I enjoyed the video very much and she had many useful tips for growing your art career. Click through to the link below to watch it for yourself...

Her video left me thinking..."There is SO MUCH more to it!"

The conversation is too linear in my mind. The question we are typically asking is "How much do I sell this for?"

At the end of the month when we struggle to make ends meet, the ACTUAL question is "How many of these have I sold and at what profit margin to pay my rent, food, overheads and costs, school fees, medical aid, pension, insurances, holidays and savings?"

The linear question simply does not address the complex, organic realities of month end.

Until we wrap our cost of living into the sum, the numbers are practically meaningless. If we cannot cover our personal cost of living from selling our art, no matter what the price we charge, we have real challenges. Artists who work for less than they need to survive financially, spend their lives on the outside looking in at the financially active community. After a lifetime of that, they are bound to be embittered about their art when they are eating cat food from a tin in their old age?

One school of thought will say "They were irresponsible and should have got a real job like the rest of us." Others will say "Artists work for LOVE not money!"

And the Struggling Artist struggles on...

We must sweep aside perceptions and social pressure and act selfishly in our own best interests to educate and stand on our value. Artists are smart. We have every right to the same financial freedoms as everybody else. If you are a freelancer, the only person who can take that freedom is YOU. You cannot afford to wait for permission to sort your shit out if you do not want the coming month end to hit you like a train smash.

And it is complex...

Until we wrap the market into the sum the numbers are also meaningless. If we cannot find enough people out there to buy at our price, we have real challenges.

By asking..."How many of these do I have to sell and at what price to pay my rent, food, overheads and costs, school fees, medical aid, pension, insurances and savings?"

...we have a more realistic view of what we are facing. informs timelines. informs sales strategies. helps you to decide what is worth pursuing and what work you should abandon completely.

My Costing & Pricing online course connects these numbers for you in a meaningful way. It is written in plain English and the concepts are simple to master, even if you are not good at numbers.

The course powerfully shifts your awareness about the numbers so that you begin to have the confidence to charge what you need to to survive and the wisdom to ignore the constant peer pressure for cheaper pricing.

When you invest in the course you are investing in your own financial future. As soon as you implement what you have learned you will begin to make more money.

If you sign up for only one course this year, it should be this one.

Click through to the link below to read more about it and sign up...

For BEST Results...

For the best result using our house brand of Slipstream fabric dye...

Our Box kits are pre-packed with the chemicals in the right quantities so you do not have to worry too much about that if you are a beginner. If you are working with Bulk Dye you are likely sourcing your own salt and soda ash. The ratio is constant and can be used for all of the colours.

Dye  :  Salt  :  Soda Ash

1     :    4    :     1

The product works best in suspension. This means that you are working with liquids. If you want something sticky to paint on to fabric that is an opaque block-out, you need to find a fabric paint. Fabric dye is a wet mixture, often applied in a pot.

If the dye does not reach 65-70 degrees ON THE FABRIC for long enough, you will get variable results. We recommend an hour of heat if possible for best results. Flash heating in the microwave oven also works well. For more information about these techniques, refer to one of our eBooks or order the Dyecraft video.

For maximum wash fastness, leave the colour on the fabric for 24 hours before washing off the excess chemicals. If you do not want the colour to fade, give it a chance to bind properly with the cloth.

Click through to the link below to order your dye and videos... http://

Expanding Our Range

For some time now you guys have been asking for more options in the pre-packed Box kits. We heard you and have launched a bunch of new colourways to suit every taste.

We had a great time playing the name game on Facebook and I must say a big THANK YOU to all of you who added your ideas to the list. Thank you for helping us to name the new kits. We could not have done it without your input. Every time you order a kit with a name on that you suggested, know that your energy has become a part of our packaging forever.

Here are all the different colourways that you can now choose from when ordering  Slipstream fabric dye...

Click through to the link below to order your Box kits, with a colourway for every taste... http://

Kids Birthday Party Kits

Are you looking for a way to entertain a group of children?

Whether you are a school teacher, a Mom, a kids craft teacher or a kids entertainer, our kits are the perfect tool for keeping your group busy with some super fun craft activity. Click through to the link below to see how the whole thing works...

Click through to the link below to order your Kids Birthday Party kit. We have kits for 30 T-shirts and 50 T-shirts. The kit includes an detailed information about techniques and patterns, with the YouTube video as back-up for those of you who prefer to learn from video.

Cotton Knit Dresses

Many of you have commented on the cotton knit dresses that I wear when I teach. I buy them ready-made in cream from Rheola's in Harrismith. Rheola runs a Skills Development Center called Tsa Lapeng, where she teaches rural women handcrafting skills that they can use to be self-reliant. They manufacture quality knitwear made from natural fibers, sourced locally. They specialize in 100% cotton and cotton/bamboo blends. They make jerseys, dresses, shawls and beanies. The shawls are by far my favorite and I always have one draped around my shoulders in chilly weather.

Contact Rheola directly for pricing on 058 623 1521 or 083 334 2724, or click through to her Facebook page below to see more of their products.

I have taught there a few times and I always enjoy it very much. Here is the color chart that the ladies at the center created after one of their training sessions...

If you would like to learn how to create your own color chart of recipes like the one in the image above, sign up for the online course today and work in your own home in your own time to make this useful reference tool for manufacturers.

I stumbled on this old video today...

In 2011 we did a make-and-take stand at Hobby-X. We invited people into the space to come and make two T-shirts. One they could keep, the other they left behind as a donation for needy kids in orphanages. We collected hundreds of T-shirts this way over three days. Here is the video so you can see the action in the stand...

Our drive to benefit needy kids with rainbow T-shirts continues, and I would love to see the idea spread virtually around the world. Click through to the link below to become a member of the online community that drives it...

My Favorite Publications

I have two Fiber Art publications that I love the most. They always inspire me and their information is interesting, educational and from trusted sources. If you want to learn about natural dyes, community development projects and who is making waves in the industry, click through to...

Q&A And Free Resources

Many of you who are new are just busting with questions. While we try our best to answer them here with my eBooks, many of you want free resources that you can refer to to answer your specific technical questions.

Paula Burch has done just this on her incredible website. It is a mine of information and she has taken the time to answer every conceivable question about dye in detail for you.

If you are looking for my specific answers from my specific experiences, I share them in my eBooks...

Click through to the link below to take advantage of special offers on the eBooks and to view the whole list of choices...

The Dress That Caused All The Hullabaloo

My network sends me links and images to interesting things that I might like on Facebook. This week I was sent an image more than ten times by different people. The dress is certainly breathtaking and it captured the imagination of the world, sweeping across the social networks like a wave.

Here is the link to the entire article of how it was made...

There was a great deal of speculation about how it was made among those who saw only the image and not the whole blog. When you read the blog Taylor Ann tells you that she airbrushed it. And it has spurned an uprising Dip Dye trend on all the social networks...

There were also a great number of people who spoke about trying to copy it or trying to order a copy from somebody else. Once again illustrating how incomplete the general understanding is about Copyright.

If you were in the shoes of the Maker, how would YOU feel to hear these conversations?

This is a great way of figuring out whether you are doing something ethical or unethical when using another work for inspiration. Put yourself in the shoes of the person who made the original work. Ask yourself, "How would I feel if I made this creative work and saw somebody else copying it in this way?

And then, there is the compelling conversation on the other side of the wheel, presented by one of my FAVOURITE Fiber Artists, Katwise...

What Does It Cost To Hire Top Talent In Fiber Art?

This is the question that Abby Franquemont answers in concise detail in this fantastic blog. Click through to the link and have a read if you would like to know what the industry unit standard is currently.

I was quite delighted when I found this article. In today's difficult financial times, I am bombarded with people who say "Your workshops are too expensive for me."

This article explains the REAL costs to teachers and venues of running workshops for people.

As a Fiber Artist who has worked extensively for the local Fashion Industry and who has published two books with editions in South Africa, USA, Canada and Russia, I still often get requests from people who ask for workshops and then ask "Do I have to pay?"

As a professional who has made a living in Fiber Arts for more than twenty years, I deserve to charge for my time and expertise just as any other professional does.

The common perception, when we dig deeper, seems to be that Creatives work for Love, not money, and that that should be good enough for us. It is very difficult to continue loving something, when pursuing it excludes you financially from so many things that "other people" seem to be doing with their financial resources like pay rent, food, medical, education, savings and a pension.

If you spend a lifetime on the outside looking in at that while you doggedly persist with the work that you thought you loved in the beginning, you do not love that work in the end. You might go to your grave with bitterness for the very thing that you Loved because you feel that you wasted years chasing a dream that was not real.

Creatives must be respected financially in the same way that any other professional at the top of their game is.

Redyeing Your Faded Denims

This week we have had a deluge of inquiries from people who want to have their old second hand things restored with dye by a professional. THIS IS NOT A SERVICE THAT WE OFFER. If you read the website you will see that we supply CRAFT DYE KITS for home use.

We do not dye second hand garments, carpets, couch covers, car seat covers or wet-suits for anybody, ever. Not even if you beg us.

You can try Paul at XClusiv Colors 4U on 0792537526. Please contact him directly. He is in NO WAY affiliated with our company. We are simply providing you with a number that you can try.

If you are a Fashion Designer looking for custom printed cloth, you can try Imaterial

If you are interested in our entire list of suppliers for fabrics, CMT (cut make & trim), screen printers and other useful textile suppliers in Gauteng, order the eBook today at...

Manmade vs Natural Dye

Almost every week I get an inquirey from somebody looking for a natural dye that they can use to manufacture a more environmentally friendly product. The issue may not be quite as simple as that. Let us compare the two to figure out the real story.

Chemicals are mined from the earth and synthesized into man made dyestuffs. Natural dyes are made from natural materials, gathered from the environment, such as lichen and bark.

Ten grams of man made dye powder can dye 250 grams of fabric to a vibrant shade, every time, if used correctly. Natural dyestuffs will have variable shades. Vibrancy depends on the potency of the raw materials. As much as two kilograms of raw material is needed to produce very dark colours on 250 grams of fabric.

Man made dyes result in the same colour every time if used correctly. It is possible to get an exact colour match using these chemicals. Natural dyes will give you varying colours, every time. Colour changes with the potency of the raw materials. This is governed by climate, soil and plant dna.

Heavy metals in certain man made colours, fixatives and other chemicals used in the process put a burden on the environment and the health of the people working with them daily. Mordants used to fix natural dyes will have exactly the same effect if you create enough waste and do not dispose of it in a responsible fashion.

Man made dyes are robust and colour fast over many washes of they have been used correctly. Natural dyes will fade over time.

People often assume that if they can find a natural dye, they are free of the guilt that they might feel about polluting the environment with their commerce. The truth is, no human activity is without its footprint.

In fact, the dye is only part of the problem. What about the fabric that you are about to dye? Was it produced with organically grown cotton that has not been genetically modified? Were the workers on the farm treated fairly or were they children? Was water used responsibly throughout all stages? Was the fibre scoured with chlorine in the mill? Chlorine is one of the most damaging chemicals out there.

The answer seems not to lie in the chemicals, but rather how to dispose of them in a responsible manner. We cannot escape our responsibility, but the least we can do is minimize the damage. If you would like to explore the thinking further, you might be interested in our eBook...

With so many things to consider, finding a natural dyestuff is not the quick-fix you might be hoping for.

For more information about natural dyes click through to the links below...


How Does Slipstream Dye For Animal Fibers Work?

While the product comes with full instructions, one of our loyal customers, Ronel Stronkhorst from Women With Curves, has published a blog about her process of dyeing a bra orange. She documented it so beautifully that we feel her explanation is far better than ours.

Click through to the link below to read what she has to say...

What Do I Do If I Spill Bleach On My Trousers?

As a dye specialist, this is the most common question that I am asked by people. I do not have a simple answer for this challenge.

Dye is translucent, not opaque. This means that the light actually passes through the colour and reflects off the white fabric behind it. Dye is see-through. When working with it, imagine working with sheets of coloured transparency film with light shining from behind.

It is this quality that leads to such vibrant results when experimenting with dyed techniques. It means that the base cloth can be seen through subsequent layers of dye. If the base is uneven, the next layer will also appear uneven. 

It is very difficult to cover bleach marks. You will have to completely saturate the fibre to get rid of the mark. The lighter marks may reappear later in subsequent washes as the fabric fades again. Those particular fibres will always have less dye on them than those that were not bleached. 

Bleach is very destructive, and if you did not wash it out thoroughly just after the spill happened, it is likely to damage the fibre. A fibre that has been softened in this way may not hold dye very well either. This further reduces your chances of solving the problem. 

When faced with this dilemma (yes, I too am clumsy), there are only two routes that do not lead to more heartache: 

If the spill is relatively small, I find a permanent black marker at my local stationer that is closest in colour and simply colour it in. Remember to keep the marker in your handbag because the ink is bound to fade and will need touching up once in awhile. (You will usually notice it on the way to a job interview or a meeting with an important investor.) 

If the spill is large and the “koki-treatment” just too tacky, I simply go with the flow. I go outside to the hosepipe with the garment, the bottle of bleach, a syringe and some rubber gloves. I put on the rubber gloves, draw some bleach into the syringe and squirt it all over the garment to create an artistic dripped effect. As soon as I see the marks I want emerging, I spray the fabric off with the hosepipe to slow down the reaction. 

Do not stand too close to such a project. The chlorine gas released by the reaction smells bad and can make you very ill. Try not to breathe in the fumes and wear a face mask if you have one. 

I have created some fabulous “designer” garments for myself from some of my clumsier moments. 

Wash the fabric thoroughly to remove all the bleach. How many washes will depend on how strong the bleach was that you used. When you can no longer smell it, you can stop washing. If you leave traces of bleach in the fabric, it will weaken the fibre and you can expect the garment to tear.


Good luck with your spill.


Written by Melanie Brummer

Author of Contemporary Dyecraft (Metz Press)

Rated one of the top 5 Tie Dye books of all time.

Order your copy on Amazon at the link below...

Read the review on Paula Burch's site at the link below...

Hot Or Cold Dye?

What is the difference between a Hot and a Cold reactive dye? One would think it is quite obvious; the one is used with hot water and the other with cold. Almost every commercial dye available is labelled this way. Unfortunately, for the consumer who buys this product, this labeling is a little misleading. 

A Hot reactive dye requires boiling at one hundred degrees Celsius for the bond with the fabric to be permanent. A Cold reactive dye does not need to be boiled, but its optimum temperature is still sixty five to seventy degrees. If you measure this heat with a thermometer, you will see that it is still steaming hot. I have burned blisters on my skin at that temperature. 

The other misconception that people have is that they assume the Hot dye is more colour-fast than the Cold one because you have boiled the colour in. This is not so. Cold dyes are more robust and colours will remain brighter for longer than Hot dyes. The cooler process is not only a little easier, it is also more lasting. 

Cold reactive dyes are very reliable and used throughout the global clothing and textile industries to permanently colour fabrics made from plant fibres. The dyes react with the fibre on a molecular level to produce a permanent bond that withstands wash after wash. The colour becomes part of the fabric. 

A Cold reactive dye is, in my opinion, the most convenient by far for the hobby dyer. 

It can be used to dye any fabric that starts out as a plant, i.e. cotton, linen, hemp and bamboo. Any fabrics with these bases will bond with reactive dye, e.g. denim, twill, calico, muslin, T-shirting, toweling, corduroy, cotton velvet, viscose, track suiting, poplin and cheesecloth. 

Cotton/lycra and viscose/lycra blends also work well, providing the lycra content is under five percent. Reactive dye does not bond to lycra. Poly/cotton blends will only take the dye partially. The cotton fibres that run in one direction will take up the dye normally, but the polyester fibres that run in the other direction will remain white. 

Because these dyes are used at high temperatures, expect your fabric to shrink. 

The fabric is woven on a loom in the factory, where it takes its dimensions from the equipment. From there it is usually put through a stent which steams the fabric into the desired dimensions for shipping. Sometimes there are variances in fabrics that come off the same equipment. Research has shown that such variances are caused by differences in the cotton fibres used. A fabric made from a crop that has had more water will behave differently from one that had less water in the field. Fabric stability is fibre-specific and will vary from one roll to the next. 

Most cotton fabrics shrink about ten percent in the length. The width is usually stable to within one or two percent.

Why kids of ALL AGES love tie dye!

* They have to dress up to do it…We recommend kids kit up with mask and apron to make tie dye. This will protect their clothes from spills that stain. By far their favourite is the latex gloves they have to put on to keep their hands clean. I am told they make for very good water bombs when you are ten years old. 

* It gets messy! Most kids enjoy activities that are messy…of course!? 

* They play with color. Most children love to play with bright colors. Color is known to stimulate the brain in a number of ways. 

* They work with their hands. Tie dye improves strength and fine motor co-ordination in the hands. Children are forced to work with both hands using string and elastic bands. 

* They have to follow a set of instructions from beginning to end, in order to achieve a desired result. This teaches children to read, concentrate, think logically and analyse their results. All skills they can use in later life. 

* It gives them a sense of achievement and self-worth. Having successfully made something on their own fills a child with a great sense of pride which leads to more confidence in their own abilities. 

* Tie dye lends itself to self-expression and uniqueness. Children learn about uniqueness and the beauty of a hand-made thing. These are old-fashioned values that have been lost in our mass produced society. 

* The Wow Moment! Kids love the moment when the bindings come off and the end result is finally revealed. I call it the Wow Moment. After more than tweny years, I still experience it every time I open a new tie dye. 

* They get to wear what they have made. Kids get an even bigger boost to their confidence when they are praised for work well done. Every time they wear their tie dye, somebody will tell them how beautiful it is, or ask where they got it. 

* Conclusion…tie dye is a kids-confidence-builder…and it is fun!